Architecture photography is a great way to get into the business of building skyscrapers, and the best way to do that is by making a profit from it.
But there’s a catch: The money you make from this can be very, very difficult to sustain.
The best way is to take a risk and build something that will generate money in the long run.
For example, the world’s tallest building, the Burj Khalifa, was designed by a Swiss architect called Daniel König.
But he couldn’t make a profit selling the building at a loss.
He turned to the internet for funding and found that a small amount of investors in the United States were willing to pay hundreds of thousands of dollars per square foot for the building.
Now, Königs website offers a free digital version of his work, which lets you print off your own copy, but requires a subscription.
“I started out as a student in the mid-1990s, and as a result I was exposed to a lot of the ideas, but I always had this image of a young boy who is really ambitious,” says Könige, who has since graduated from the University of Wisconsin-Madison.
“So I started looking at the other guys and I realised, I’m not going to make a million dollars just by doing this.”
To keep up with what he is doing, Kounig started a company called the Art of Architecture, which offers free digital versions of his works.
It’s a way to keep his work alive while it is being developed, and it also allows him to sell prints of his images to people interested in making money from them.
Kounig has already done some initial work on the Burkina Faso building.
The idea was to build it with some sort of solar panel, but as it got closer to completion, the developer found out that the panels would have to be moved to a different location to be usable.
So he put a lot more work into the solar panels, and now the whole structure looks like it was built by a child.
The Burj was designed with a rooftop garden and a large courtyard, which makes it one of the most impressive buildings in Africa.
It is also the tallest building in the world, but Kounige thinks its biggest downfall is the fact that the city has been unable to build enough housing for the millions of people who live there.
“If you want to build a building like this, you have to think about how to accommodate a population,” he says.
“When you build a skyscraper, you should be able to take advantage of the existing infrastructure, so that you can have enough buildings to house the people you need.”
For now, he has no plans to build any new buildings in Burkino Faso.
“It’s the same for Burmese cities, they don’t have enough housing.
But I’m going to do my best to do something that could be useful,” he adds.
“You have to give a chance to people who have nothing else to do.”
Kounige’s business model is a bit unorthodox, and even a casual visitor to his website might be able find it difficult to believe.
He sells his digital copies of his pictures online, and makes a commission if people buy the prints.
This helps pay for the printing of the prints, and helps cover the costs of maintaining the site.
For the next year or two, the site will run at a cost of $5 per square metre, which is about 20 per cent of the cost of a copy of the work.
He says this is more than enough to cover his costs.
The site is a way for people to be inspired by a specific building or a certain style of building and build a product out of it, or even just make a money from it in the short-term.
It has even been used by architects in the US to build their own buildings.
But, even with such a small footprint, the work does have a definite purpose.
It offers a platform for designers to get a lot done.
“The idea behind my business is that it gives people the chance to see a new architecture that they might never have seen before,” he explains.
“This can give architects a new perspective, because they have never been able to build something like this before.”
“I have to do this to make money in architecture, but it’s not easy.”
But Kounie says he doesn’t think the site’s success is because it has created a new industry, but because it’s a safe and profitable way for architects to make good money.
“What I love about this is that architects are not allowed to make mistakes,” he continues.
“They can be as creative as they want.
And this allows us to do what we do.
But the biggest risk is when we lose this, we lose everything.”
What is the Art Of Architecture?
The Art of Building